Searching for Sugar Man: International Competition
Original language dramas are in several markets automatically labelled as ‘art house’ films (Ilievski, 2018). Petri Kemppinen, the CEO of...
Searching for Sugar Man: Europudding and issues of authenticity
The internationalisation of European cinema has also attracted negative associations, with critics branding certain multi-national films...
Searching for Sugar Man: Changes to available finance
The increase of foreign language, internationally oriented productions applying state subsidies has led to the local film institutions to...