The internationalisation of European cinema has also attracted negative associations, with critics branding certain multi-national films as ‘Euro-pudding’ (Liz, 2014). The term emerged in 1989 and among many other titles, has been used to refer to films like Vincent and Theo (Robert Altman, Netherlands/UK/France/Italy/Germany, 1990), a film about the life of Vincent van Gogh, and The House of Spirits (Bille August, Portugal/Germany/Denmark/USA, 1993), adaptation of the Isabel